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This book presents a re-examination of Ammianus Marcellinus’ agenda and methods in narrating the reign of the emperor Julian (355–63). Ammianus’ Res Gestae provides the fullest extant narrative of Julian, and holds a prominent position in modern studies of the last ‘pagan’ emperor. This book suggests that the Res Gestae presents a Latin-speaking, western audience with an idiosyncratic and ‘Romanized’ depiction of the philhellene emperor. Consciously exploiting his position as a Greek writing in Latin, and as a contemporary of Julian, Ammianus wished the Res Gestae to be considered a culminating and definitive account of Julian. The volume examines several key episodes from Books 14–25—Gallus and Silvanus, Julian’s appointment as Caesar, the battle of Strasbourg, his acclamation as Augustus, and the Persian campaign of 363. Building on recent advances in literary approaches to historical texts, it evaluates Ammianus’ presentation of Julian in each episode by considering the Res Gestae within three interrelated contexts: as a work of Latin historiography, which sets itself within a classical and classicizing tradition; in a more immediate literary and political context, as the final contribution by a member of an ‘eyewitness’ generation to a quarter century of intense debate over Julian’s legacy by several authors who had lived through the reign and had been in varying degrees of proximity to Julian; and as a narrative text, in which narratorial authority is closely associated with the persona of the narrator, both as an external narrating agent and an occasional participant in the text.

Artemidorus’ Oneirocritica (‘The Interpretation of Dreams’) is the only dream-book which has been preserved from Graeco-Roman antiquity. Composed around AD 200, it is a treatise and manual on dreams, their classification, and the various analytical tools which should be applied to their interpretation. Artemidorus travelled widely through Greece, Asia, and Italy to collect people’s dreams and record their outcomes, in the process casting a vivid light on social mores and religious beliefs in the Severan age. This book aims to provide the non-specialist reader with a readable and engaging road-map to this vast and complex text. It offers a detailed analysis of Artemidorus’ theory of dreams and the social function of ancient dream-interpretation; it also aims to help the reader to understand the ways in which Artemidorus might be of interest to the cultural or social historian of the Graeco-Roman world. The book includes chapters on Artemidorus’ life, career, and worldview; his conceptions of the human body, sexuality, the natural world, and the gods; his attitudes towards Rome, the contemporary Greek polis, and the social order; and his knowledge of Greek literature, myth and history. The book is intended to serve as a companion to the new translation of The Interpretation of Dreams by Martin Hammond, published simultaneously with this volume in the Oxford World’s Classics series.

This volume consists of a set of studies focused on various aspects of a relatively neglected subject: a lost work of Aristotle entitled Homeric Problems. Most of the evidence for this lost work consists mainly of ‘fragments’ surviving in the Homeric scholia (comments in the margins of the medieval manuscripts of the Homeric epics, mostly coming from lost commentaries on these epics). But other sources have been neglected. The book has three parts. The first deals with preliminary issues: the relationship of this lost work to the Homeric scholarship that came before it, and to Aristotle’s comments on the Homeric epics in his extant Poetics; the evidence concerning the possible titles of this work; a neglected early edition of these fragments. In the second part, our knowledge of the Homeric Problems is expanded through an examination in context of quotations from (or allusions to) Homer in Aristotle’s extant works, and specifically in the History of Animals, the Rhetoric, and Poetics 21 (to each of which a chapter is devoted). Part III consists of four studies on select (and in most cases neglected) fragments. The volume intends to show (inter alia) that Aristotle in the Homeric Problems aimed to defend Homer against his critics, but not slavishly and without employing allegorical interpretation.

Aulus Gellius originated the modern use of ‘classical’ and ‘humanities’. His Attic Nights, so named because they began as the intellectual pastime of winter evenings spent in a villa outside Athens, are a mine of information on many aspects of antiquity and a repository of much early Latin literature that would otherwise be lost; he took a particular interest in questions of grammar and literary style. The whole work is interspersed with interesting personal observations and vignettes of second-century life that throw light on the Antonine world. This study, the most comprehensive of Gellius in any language, examines his life, his circle of acquaintances, his style, his reading, his scholarly interests, and his place in literary tradition parentage; reference is made to his reception in later antiquity and beyond. It covers many subject areas such as language, literature, law, rhetoric, and medicine; it also examines Gellius's attitudes to women and the relation considered between the literary trends of Latin (the so-called archaizing movement) and Greek (Atticism) in the second century AD. The text, sense, and content of numerous individual passages are considered, and light shed on a wide range of problems in Greek as well as Latin authors.

This book explores the childhood reception of classical antiquity in Britain and the United States over a century-long period beginning in the mid-nineteenth century, with a focus on two genres of children’s literature– the myth collection and the historical novel—and on adults’ literary responses to their own childhood encounters with antiquity. The book recognizes the fundamental role in writing for children of adults’ ideas about what children want or need, but also attends to the ways in which child readers make such works their own. The authors first trace the tradition of myths retold as children’s stories (and as especially suited to children) from Nathaniel Hawthorne and Charles Kingsley to Roger Lancelyn Green and Ingri and Edgar Parin D’Aulaire, treating both writers and illustrators. They then turn to historical fiction, particularly to the roles of nationality and of gender in the construction of the ancient world for modern children. They conclude with an investigation of the connections between childhood and antiquity made by writers for adults, including James Joyce, Virginia Woolf, Naomi Mitchison, and H.D., and with a reading of H.D.’s novella The Hedgehog as a text on the border between children’s and adult literature that thematizes both the child’s special relation to myth and the adult’s stake in children’s relationship to the classics. An epilogue offers a brief overview of recent trends, which reflect both growing uncertainty about the appeal of antiquity to modern children and an ongoing conviction that the classical past is of perennial interest.

This book considers Cicero's forensic speeches as acts of advocacy, that is, designed to ensure that the person he represents is acquitted or that the person he is prosecuting is found guilty. It sets the speeches within the context of the court system of the Late Roman Republic and explores the strategies available to Roman advocates to win the votes of jurors. The book deals with issues concerning the general nature of advocacy, the court system in ancient Rome as compared with other ancient and modern systems, the Roman ‘profession’ of advocacy and its etiquette, the place of advocacy in Cicero's career, the ancient theory of rhetoric and argument as applied to courtroom advocacy, and the relationship between the published texts of the speeches as we have them and the speeches actually delivered in court. Other topics covered by the book include legal procedure in Cicero's time, Cicero's Italian clients, Cicero's methods of setting out or alluding to the facts of a case, his use of legal arguments, arguments from character, invective, self-reference, and emotional appeal. Some particular speeches are discussed as case studies covering the period of the height of Cicero's career, from 70 BC, when he became acknowledged as the leading Roman advocate, to 49 BC when Julius Caesar's dictatorship required Cicero to adapt his well-tried forensic techniques to drastically new circumstances. Those speeches contain arguments on a wide range of subject matter, including provincial maladministration, usurpation of citizenship rights, violent dispossession, the religious law relating to the consecration of property, poisoning, bribery, and political offences.

The Roman statesman, orator, and author Marcus Tullius Cicero is the embodiment of a classic. His works have been read continuously from antiquity to the present, his style is considered the model for classical Latin, and he deeply influenced Western ideas on the value of humanistic pursuits and the liberal arts. In Cicero, Greek Learning, and the Making of a Roman Classic, Caroline Bishop demonstrates that no one is more responsible for Cicero’s transformation into a classic than Cicero himself, and that in his literary works he laid the groundwork for the ways that he is still remembered today. Cicero achieved this goal, as Bishop shows, through his strategic use of the Greek classical canon. Cicero’s career coincided with the growth of Greek classicism, and he clearly grasped the benefits of the movement both for himself and for Roman literature. By selectively adapting classic texts from the Greek world—and incorporating into his adaptations the interpretation of the Hellenistic philosophers, poets, rhetoricians, and scientists who had helped enshrine these works as classics—Cicero could envision and create texts with classical authority for a parallel Roman canon. Bishop’s study ranges across a wide span of Cicero’s works, moving from his early translation of Aratus’ poetry (and its later reappearance through self-quotation) to Platonizing philosophy, Aristotelian rhetoric, Demosthenic oratory, and even a planned Greek-style letter collection. Part detailed intellectual history of Hellenistic Greece, part close study of Cicero’s literary works, this book offers a welcome new account of Greek intellectual life and its effect on Roman literature.

The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? This first book-length discussion of these famous speeches clarifies what the speeches actually are and explains how we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.

This book consists of twenty-six chapters on classical commentaries which deal with commentaries from the ancient world to the twentieth century. The book contributes to the interface between two emerging fields of study: the history of scholarship and the history of the book. It builds on earlier work on this area by paying particular attention to: (1) specific editions, whether those regarded as classics in their own right, or those that seem representative of important trends or orientations in scholarship; (2) traditions of commentary on specific classical authors; and (3) the processes of publishing and printing as they have related to the production of editions. The book takes account of the material form of commentaries and of their role in education: the chapters deal both with academic books and also with books written for schools, and pay particular attention to the role of commentaries in the reception of classical texts.

Numerous nations have in one way or another engaged with the cultures of classical Greece and Rome. What impact does the classical past have on ideas of the nation, nationhood, nationality, and what effect does the national space have on classical culture? How has classical culture been imagined in various national traditions, what importance has it had within them, and for whom? This collection of essays by an international team of experts tackles the vexed relationship between Classics and national cultures, presenting essays on many regions, including China, India, Mexico, Japan, and South Africa, as well as Germany, Greece, and Italy. It poses new questions for the study of antiquity and for the history of nations and nationalisms.

Despite the resurgence of interest in representations of character in literary studies generally and Classical studies in particular, and despite the goldrush towards ancient fiction in the last two decades, no volume has yet been devoted to exploring character and characterization in ancient Greek novels. This award-winning study analyses the characterization of the protagonists in the five extant, so-called ‘ideal’ Greek novels (i.e. those of Chariton, Xenophon of Ephesus, Achilles Tatius, Longus, and Heliodorus). The book offers close readings of techniques of characterization in each novel individually and thereby combines modern (mainly, but not exclusively, structuralist) narratology and ancient rhetoric, the latter of which was the predominant literary theory in the heydays of the Greek novels. The book argues that three conceptual couples central to ancient theory of character—typification/individuation, idealistic/realistic characterization, and static/dynamic character—construct character in these narratives more ambiguously, more elusively and in more complex ways than has been realized so far. The book explores to what extent and how the novelists construct individuating characteristics for their characters alongside typification; it also suggests that ‘ideal’ is probably not the most felicitous label to refer to these novels, as the abilities of their protagonists to acquire and develop rhetorical control over others thematizes psychologically realistic issues rather than idealistic ones; and it challenges the widely-held view of static character in these novels by tracing character development in a number of protagonists. It also makes clear how intimately presentations of character are intertwined with self-portrayal and performance of the self.

This book argues that a distinctive hallmark of Cicero's oratory is a conceptual creativity that one may loosely characterize as philosophical. A range of case studies show how this creativity manifests itself in striking and original views on human beings and being human, politics, society, and culture, and the sphere of the supernatural. After an introduction that defines the outlook of Cicero's philosophical oratory and addresses methodological issues, the volume contains three parts with four chapters each, devoted, respectively, to the anthropology, the sociology, and the theology contained within his speeches. Each of the three parts begins with a substantial introduction that situates Cicero's thought within its wider historical and intellectual context, not least by identifying where and how he departed from the established habits of thought in the late‐republican field of power. The nature of the argument requires close philological study of key terms or concepts including natura, humanitas, tyrannus, and conscientia as well as attention to larger figures of thought, such as agency and accountability, the ethics of happiness, laws vs. justice, the enemy within, civilization vs. barbarity, the problem of theodicy, and life after death. Examples are drawn from the entire corpus of Ciceronian oratory, from the pro Quinctio to the Philippics, with in‐depth analysis of a representative cross‐section of particularly relevant speeches. Overall, the book offers a fundamental reappraisal of a canonical body of texts and should appeal not just to scholars of Cicero and Latin literature, but also Roman historians, and students of the history of rhetoric.

Demosthenes' resolute and courageous defiance of Philip II of Macedonia earned for him a reputation as one of history's outstanding patriots. He also enjoyed a brilliant and lucrative career as a speechwriter, and is regarded as Greece's greatest orator, as proved by the rhetorical style of his surviving speeches. Yet he was a sickly child who suffered from several physical and speech impediments, had an interrupted education, and was swindled out of much of his family estate by unscrupulous guardians. His story is certainly one of triumph over adversity. Demosthenes has been lauded as Greece's greatest patriot and condemned as an opportunist who misjudged situations and contributed directly to the end of Greek freedom. This book aims to determine which of these two people he was: self-serving cynic or patriot—or both. The book discusses Demosthenes' troubled childhood and youth, the obstacles he faced in his public career, his successes and failures, and even his posthumous influence as a politician and orator. The book offers new insights into Demosthenes' motives and how he shaped his policy to achieve political power, set against the history of Greece and Macedonia. The book gives extensive quotations in translation from his speeches to sum up their main points and help to illustrate his rhetorical style, which the book also discusses.

Concentrating on Demosthenes' texts rather than his politics, this book describes and assesses all his speeches, including those for the lawcourts as well as the addresses to the Ekklesia. Besides the genuine speeches, it also covers those which probably are wrongly ascribed to Demosthenes, such as those written for delivery by Apollodoros. It considers the Epistles, the Prooimia, and the Erotic Speech. The arguments of each speech are analysed. The question whether the texts reproduce accurately what was actually spoken is approached cautiously. There is a short survey of Demosthenes' prose style, with examples quoted in Greek. In the rest of the book quotations are given in the author's own translations, with the Greek words added in footnotes where appropriate.

The passions were a topic of widespread interest in antiquity. This is a study on their role in Roman love elegy (1st c. BCE), a genre rife with passions and jealousy in particular. Jealousy does appear in a number of earlier genres, but never with the centrality and importance it has in elegy. This book offers an exceptional opportunity to investigate the ancient representation of jealousy in its Roman context, as well as its significance for Roman love elegy itself. The narrators portray themselves as poets and as experts of love, championing a view of love that stands in marked contrast to the criticisms that Stoic and Epicurean philosophers had raised. Elegy provides rich evidence of the genesis and development of erotic jealousy: we find suspicions and rumors of infidelity, obsessive attention to visual clues, and accusations and confrontations with the beloved. The Roman elegists depict the susceptibility and reactions to jealousy along gendered lines, with an asymmetric representation of skepticism and belief, violence and restraint. But jealousy has ramifications well beyond the erotic affair. Underlying jealousy are fears about fides or trust and the vulnerability of human relations. These are prominent in love relationships, of course, but the term has broader application in the Roman world, and the poetic narrator often extends his fears about trust into many other dimensions of life, including friendship, religion, and politics. The infidelity rampant in the love affair indicates a more general breakdown of trust in other human relations. All of these features have implications for the genre itself. Many of the distinctive elements of Roman elegy—its first-person narration, obsessive recordkeeping, and role-playing—can be seen to derive from the thematic concern with jealousy. As such, jealousy provides a new way of understanding the distinctive features of Roman love elegy.

This historical commentary examines books 79(78)–80(80) of Cassius Dio’s Roman History, which cover the period from the death of Caracalla in 217 B.C. to the reign of Severus Alexander and Cassius Dio’s retirement from political life in A.D. 229 Cassius Dio, a Roman senator, provides a valuable eyewitness account of this turbulent period, which was marked by the assassination of Caracalla; the rise of Macrinus, Rome’s first equestrian emperor, and his subsequent overthrow; the tempestuous, and by all accounts peculiar, reign of Elagabalus; and the continuation of the Severan dynasty under the young Severus Alexander. In addition to elucidating important passages from these books, this study assesses Cassius Dio’s political life and its relationship to his literary career; his call to history and time of composition; his historical method; and his attitude toward and subsequent presentation of the later Severan dynasty. In its investigation of books 79(78)–80(79), the work assesses an important stretch of Dio’s actual text, which for other parts has been preserved largely in epitome and excerpts. Finally, the work aims to fill a gap in scholarship, as no commentary on these books of Cassius Dio’s history has been produced since the nineteenth century, and its publication coincides with a renewed interest in the history and historiography of the Severan period.

This book is the first history of civil war in the later Roman Empire to be written in English. It advances the thesis that civil war was endemic to the later Empire (third to fifth centuries AD) and explores the way in which successive imperial dynasties—many of whose founding members had themselves usurped power—attempted to legitimate themselves and counter the threat of almost perpetual internal challenge to their rule. The work takes as its operating principle that history is written by the victors, and seeks to employ panegyric as a tool to understand the processes that, according to one contemporary commentator, ‘made tyrants by the victory of others’. Panegyric provides direct evidence of how, in the wake of civil wars, emperors attempted to publish their legitimacy and to delegitimize their enemies. The book explores the ceremony and oratory that surrounded imperial courts, examines how and why this ceremony was aggressively used to dramatize and constantly recall the events of recent civil wars, and, above all, it explores how the narratives produced by the court in this context went on to have enormous influence on the messages and narratives found within contemporary historical texts. The resulting book is a thoroughly original reworking of late Roman domestic politics, an exploration of the way that successive imperial courts sought to communicate with their subjects, and an examination of the fallibility of history.

Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies—texts that collected and explained ancient myths—were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, because they have been wrongly considered mere copies of their European counterparts. This monograph studies the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross. By placing their texts into a wider, European context, it reveals the unique English take on the genre. The book unfolds the role myth played in the wider English Renaissance culture (religious conflicts, literary life, natural philosophy, poetics, and Civil War politics) and shows, for the first time, the considerable explanatory value it holds for the study of English Renaissance literature. Finally, this book is a contribution to the history of myth philosophy. It reveals how early modern England answered a question we still find fascinating today: what is myth?

How did Roman poets create character? This book frames this question through the cultural and intellectual horizons of Roman authors and audiences. By applying the philosophical, rhetorical, and cultural discourses of selfhood and exemplarity to the poetics of character, we can become more aware of characterization’s function in Roman poetry. Through a series of case studies, this book expands our awareness of characterization in Roman poetry both as a literary practice and as a discourse of the self. Individual character studies examine the dynamics of literary genealogy, Stoic hagiography, exemplarity, and intertextuality in Vergil’s Aeneid, Lucan, Senecan tragedy, and Statius’ Thebaid.

This book contains detailed studies of a number of individual passages and episodes (which always turn out to have wider ramifications for the understanding of Herodotus or for the history of the archaic and classical Greek world, or both) as well as considerations of wider themes (perceptions of ethnicity and ideas of ‘tradition’, of historical space and about the origins of history). Topics included are: prophecy, oracle-selling, and resurrection, and also narrative management and the prosaics of death. The Herodotean chronology is revisited. There are also accounts on epiphany, and of why Herodotus did not mention the Hanging Gardens and why he has not been taken as seriously as he should have been by military historians. Finally, the book examines Cleisthenes and Cleomenes, Argos and Corinth, and Athens and its democracy.