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Antokoletz, E. (2008-03-20). Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic‐Chromatic Extremes. In Musical Symbolism in the Operas of Debussy and Bartok. : Oxford University Press. Retrieved 24 Jan. 2021, from https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-11.
Antokoletz, Elliott. "Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic‐Chromatic Extremes." Musical Symbolism in the Operas of Debussy and Bartok. : Oxford University Press,
May 01, 2008. Oxford Scholarship Online. Date Accessed 24 Jan. 2021 <https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-11>.
Antokoletz, Elliott. "Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic‐Chromatic Extremes." In Musical Symbolism in the Operas of Debussy and Bartok, by Antokoletz, Elliot.. New York: Oxford University Press, 2008. Oxford Scholarship Online, 2008. doi: 10.1093/acprof:oso/9780195365825.003.0011.
Antokoletz E. Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic‐Chromatic Extremes. In: Musical Symbolism in the Operas of Debussy and Bartok. Oxford University Press; 2008. https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-11. Accessed January 24, 2021.