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Antokoletz, E. (2008-03-20). The New Musical Language. In Musical Symbolism in the Operas of Debussy and Bartok. : Oxford University Press. Retrieved 26 Jan. 2021, from https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-2.

Antokoletz, Elliott. "The New Musical Language." Musical Symbolism in the Operas of Debussy and Bartok. : Oxford University Press,  May 01, 2008. Oxford Scholarship Online. Date Accessed 26 Jan. 2021 <https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-2>.

Antokoletz, Elliott. "The New Musical Language." In Musical Symbolism in the Operas of Debussy and Bartok, by Antokoletz, Elliot.. New York: Oxford University Press, 2008. Oxford Scholarship Online, 2008. doi: 10.1093/acprof:oso/9780195365825.003.0002.

Antokoletz E. The New Musical Language. In: Musical Symbolism in the Operas of Debussy and Bartok. Oxford University Press; 2008. https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195365825.001.0001/acprof-9780195365825-chapter-2. Accessed January 26, 2021.