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Smith, P. (2011-01-19). Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions : The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and Rhenish Symphony. In Rethinking Schumann. : Oxford University Press. Retrieved 20 Jan. 2021, from https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195393859.001.0001/acprof-9780195393859-chapter-12.

Smith, Peter H. "Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions : The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and Rhenish Symphony." Rethinking Schumann. : Oxford University Press,  May 01, 2011. Oxford Scholarship Online. Date Accessed 20 Jan. 2021 <https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195393859.001.0001/acprof-9780195393859-chapter-12>.

Smith, Peter H. "Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions: The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and Rhenish Symphony." In Rethinking Schumann, by Kok, Roe-Min, and Laura Tunbridge, eds., edited by Roe-Min Kok, and Laura Tunbridge. Oxford University Press, 2011. Oxford Scholarship Online, 2011. doi: 10.1093/acprof:oso/9780195393859.003.0012.

Smith PH. Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions : The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and Rhenish Symphony. In: Rethinking Schumann. Oxford University Press; 2011. https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195393859.001.0001/acprof-9780195393859-chapter-12. Accessed January 20, 2021.