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Alla OsipenkoBeauty and Subversion in Soviet Ballet$
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Alla Osipenko: Beauty and Subversion in Soviet Ballet

Joel Lobenthal

Print publication date: 2016

Print ISBN-13: 9780190253707

Published to Oxford Scholarship Online: January 2016

DOI: 10.1093/acprof:oso/9780190253707.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 03 December 2021

Creation

Creation

Chapter:
(p.67) 9 Creation
Source:
Alla Osipenko
Author(s):

Joel Lobenthal

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190253707.003.0010

At the Kirov in 1957, Osipenko created a leading role in The Stone Flower, a new ballet by young choreographer Yuri Grigorovich to Prokofiev’s’ final ballet score. It seemed radically new and different to the Soviet balletgoing public. Osipenko appeared on stage in a unitard rather than a tutu or skirt. She was coached in this production by ex-Kirov ballerina Tatiana Vecheslova, an independent intellectual.

Keywords:   Grigorovich, Stone Flower, Vecheslova, Prokofiev, unitard

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