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Alla OsipenkoBeauty and Subversion in Soviet Ballet$
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Alla Osipenko: Beauty and Subversion in Soviet Ballet

Joel Lobenthal

Print publication date: 2016

Print ISBN-13: 9780190253707

Published to Oxford Scholarship Online: January 2016

DOI: 10.1093/acprof:oso/9780190253707.001.0001

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Repercussions in London

Repercussions in London

Chapter:
(p.101) 13 Repercussions in London
Source:
Alla Osipenko
Author(s):

Joel Lobenthal

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190253707.003.0014

After Nureyev’s defection, the Kirov Ballet opened as scheduled at the Royal Opera House in London, but Osipenko found herself largely under quarantine when she was not on stage. However, she enjoyed dancing with the young Yuri Soloviev, one of the Kirov’s most remarkable dancers until his suicide in 1977. Osipenko had by now acquired a unique cachet within the company. She “wasn’t a typically standard type of dancer,” Soloviev’s widow recalled. “She was complex … interesting.” Soloviev was “beside himself with excitement that he was going to dance with her.”

Keywords:   Osipenko, Kirov Ballet, Nureyev, Soloviev

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