- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index
Left Behind
Left Behind
- Chapter:
- (p.106) 14 Left Behind
- Source:
- Alla Osipenko
- Author(s):
Joel Lobenthal
- Publisher:
- Oxford University Press
Osipenko saw the toll of the liberties she had taken in Paris; she was not included when the Kirov made its US debut in September 1961, opening at the Metropolitan Opera and touring the country. This chapter includes recollections from Inna Zubkovskaya, who danced Swan Lake on the company’s opening night in New York.
Keywords: Osipenko, Metropolitan Opera, Kirov, Zubkovskaya
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- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index