- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index
Baryshnikov
Baryshnikov
- Chapter:
- (p.181) 24 Baryshnikov
- Source:
- Alla Osipenko
- Author(s):
Joel Lobenthal
- Publisher:
- Oxford University Press
Six months before Baryhnikov’s defection, he directed his own “Creative Evening” at the Kirov, for which he was allowed to choose the repertory and commission new ballets. Osipenko danced with him in a new ballet by Mai Murdmaa.
Keywords: Osipenko, Kirov, Baryshnikov, Murdmaa, defection
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- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index