- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index
Boris Eifman
Boris Eifman
- Chapter:
- (p.195) 27 Boris Eifman
- Source:
- Alla Osipenko
- Author(s):
Joel Lobenthal
- Publisher:
- Oxford University Press
Once again, Osipenko was central to a venturesome new project: a company established by thirty-year-old Boris Eifman. Eifman wanted to attract young audiences and acknowledged their interest in Western rock music. Together with Markovsky, Osipenko danced an entirely new repertory, including the duet “Two Voices,” performed to Pink Floyd.
Keywords: Osipenko, Eifman, Pink Floyd
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- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index