- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index
Artistic Credo
Artistic Credo
- Chapter:
- (p.227) 32 Artistic Credo
- Source:
- Alla Osipenko
- Author(s):
Joel Lobenthal
- Publisher:
- Oxford University Press
During her interviews for the book, Osipenko compared the new Russia and the new Russians to her own generation. The chapter relates many discussions with her in Hartford in the late 1990s, her comments on life and culture in the United States, and her ideas about teaching. She thinks back to Vaganova’s teaching and the way it has been perpetuated.
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- Title Pages
- Frontispiece
- Dedication
- Acknowledgments
- Introduction
- 1 A Storied Family
- 2 World at War
- 3 Coming of Age
- 4 Vaganova
- 5 First Love
- 6 Sidelined
- 7 Finding Herself
- 8 Seeing the West
- 9 Creation
- 10 Her Way
- 11 New Roles
- 12 Nureyev Defects
- 13 Repercussions in London
- 14 Left Behind
- 15 Swept Off Her Feet
- 16 The Gates Close …
- 17 … And Open Slightly
- 18 Staying in the Game
- 19 Her Fate
- 20 Cleopatra
- 21 Return to London
- 22 Resigning
- 23 A New Beginning
- 24 Baryshnikov
- 25 Rupture
- 26 Roaming
- 27 Boris Eifman
- 28 Letting Go
- 29 Maternal Duty
- 30 Perestroika
- 31 America at Last
- 32 Artistic Credo
- 33 Home Again
- Bibliography
- Index