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Bullets and BulletinsMedia and Politics in the Wake of the Arab Uprisings$
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Mohamed Zayani and Suzi Mirgani

Print publication date: 2016

Print ISBN-13: 9780190491550

Published to Oxford Scholarship Online: January 2017

DOI: 10.1093/acprof:oso/9780190491550.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 13 June 2021

The State of Arab Media in the Wake of the Arab Uprisings

The State of Arab Media in the Wake of the Arab Uprisings

Chapter:
(p.1) 1 The State of Arab Media in the Wake of the Arab Uprisings
Source:
Bullets and Bulletins
Author(s):

Suzi Mirgani

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190491550.003.0001

The book is divided into three sections. The chapters in part one, ‘Arab Media in Transition’ explore the broad changes that have occurred in the relationship between the growing Arab mediascape and the turbulent political environment of the Middle East and North Africa region. Part two, ‘Space and the Cultural Production of Arab Media’, provides an analysis of the relationship between space—both physical and virtual—and the public’s growing involvement in cultural creation. The chapters in this section focus on everyday practices, narratives, and identity formations that are negotiated in the informal public sphere of the street and cyberspace, as well as how these issues play out in formally organized media cities. The final part of this book, ‘Media, State Interests, and Non-State Actors’, explores the radical shift in state-society power relations in a number of Arab countries. The chapters in this concluding section elaborate on how Arab publics have taken media tools into their own hands, ensuring that the future of information is no longer the sole monopoly of the state.

Keywords:   Arab uprisings, Media literacy, Mohamed Bouazizi, Libya, Tunisia, Egypt, Cultural production, Social media

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