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Dvorák to Duke EllingtonA Conductor Rediscovers America's Music and Its African-American Roots$
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Maurice Peress

Print publication date: 2004

Print ISBN-13: 9780195098228

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195098228.001.0001

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The Chicago World's Columbian Exposition of 1893

The Chicago World's Columbian Exposition of 1893

Chapter:
(p.29) 4 The Chicago World's Columbian Exposition of 1893
Source:
Dvorák to Duke Ellington
Author(s):

Maurice Peress

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195098228.003.0005

The Chicago World Columbian Exposition of 1893 (“The Fair”) celebrated America, its industry, and its people. It was among the first events of its kind to honor the achievements of women. Almost overnight, the Fair and Chicago became a gathering place for the nation's gifted and talented from every scientific and artistic discipline. There was a significant Negro presence at the Fair; Dahomey Village from Africa's Gold Coast, the Haitian Pavillion was a gathering place for black intelligentsia — hootchie cootchies doing the belly dance, piano professors exchanging licks and forms — these were soon were to emerge as the new national musical rage, ragtime. On Colored Person's Honor Day, Will Marion Cook, the future mentor of Duke Ellington, meets Dvorák. He is invited to attend the National Conservatory that fall; after that the Dvorák family returns to New York.

Keywords:   Dahomey Village, Will Marion Cook, ragtime, Haitian Pavillion, Colored Personás Honor Day, Duke Ellington

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