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The Power of Black MusicInterpreting its History from Africa to the United States$
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Samuel A. Floyd

Print publication date: 1997

Print ISBN-13: 9780195109757

Published to Oxford Scholarship Online: September 2011

DOI: 10.1093/acprof:oso/9780195109757.001.0001

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Continuity and Discontinuity: The Fifties

Continuity and Discontinuity: The Fifties

Chapter:
(p.160) Chapter 7 Continuity and Discontinuity: The Fifties
Source:
The Power of Black Music
Author(s):

Samuel A. Floyd

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195109757.003.0008

The 1950s came to a close with cool jazz and hard bop vying for fame, with the end of gospel's golden age, with the New Criticism and neoclassicism continuing to influence the concert-hall activity of black composers, and with R&B and rock ‘n’ roll in decline in the wake of Little Richard's retirement to the ministry, Chuck Berry's two-and-a-half-year prison sentence on morals charges, and the rise of the vapid and diluted croonings of singers such as Pat Boone and others of his generation of rock ‘n’ roll stylists. The author concludes that it would take a revolution to revive the African American musical tradition.

Keywords:   New Criticism, neoclassicism, Little Richard, Chuck Berry, African American music

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