- Title Pages
- Dedication
- Preface
- Acknowledgments
- List of Illustrations
- List of Tables
- List of Musical Examples
- Contributors
- Prelude
- I Sermons, Sacramentaries, and Early Sources for the Office in the Latin West
- 2 Reading an Office Book
- 3 The Origins of the Western Office
- 4 Observations on the Divine Office in the Rule of the Master
- 5 Eastern and Western Elements in the Irish Monastic Prayer of the Hours
- 6 The Antiphoner of Compiègne
- 7 The Divine Office at Saint‐Martial in the Early Eleventh Century
- 8 The Cluniac Processional of Solesmes
- 9 Taking the Rough with the Smooth
- 10 Office Compositions from St. Gall
- 11 The Development and Chronology of the Ambrosian Sanctorale
- 12 Performing Latin Verse
- 13 From Office to Mass
- 14 The Office for the Feast of the Circumcision from Le Puy
- 15 The Palm Sunday Procession in Medieval Chartres
- 16 Nonconformity in the Use of Cambrai Cathedral
- 17 Transforming a Viking into a Saint
- 18 On the Prose <i>Historia</i> of St. Augustine
- 19 The <i>Historia</i> of St. Julian of Le Mans by Létald of Micy
- 20 The Little Office of the Virgin and Mary's Role at Paris
- 21 The Carmelite Feast of the Presentation of the Virgin
- 22 Large Projects and Small Resources
- 23 CANTUS and Tonaries
- Bibliography of Writings by Ruth Steiner
- Bibliography
- Index of Manuscripts
- Index of Incipits
- Index of Saints
- General Index
Office Compositions from St. Gall
Office Compositions from St. Gall
Saints Gallus and Otmar
- Chapter:
- (p.237) 10 Office Compositions from St. Gall
- Source:
- The Divine Office in the Latin Middle Ages
- Author(s):
Hartmut Möller
- Publisher:
- Oxford University Press
Some of the earliest chant MSS from St. Gall include the Offices for the two primary saints of the region, Gallus and Othmar. These sources are D-W MS Guelf. 17.5. Aug. 4o (890-920), and GB-Lbl MS Add. 21170 (c.920). The Offices of both saints were also copied around the year 1000 in the Antiphoner of Hartker. Sources such as these allow us to glimpse at first hand how music and texts for new Offices were created in the 10th and 11th centuries in St. Gall., adapting older materials to new circumstances. Discussion of these two Offices incorporates different emphases, depending upon the nature of the materials.
Keywords: manuscripts and prints, Gall Office, liturgical books, antiphoners, Hartker, religious institutions
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- Title Pages
- Dedication
- Preface
- Acknowledgments
- List of Illustrations
- List of Tables
- List of Musical Examples
- Contributors
- Prelude
- I Sermons, Sacramentaries, and Early Sources for the Office in the Latin West
- 2 Reading an Office Book
- 3 The Origins of the Western Office
- 4 Observations on the Divine Office in the Rule of the Master
- 5 Eastern and Western Elements in the Irish Monastic Prayer of the Hours
- 6 The Antiphoner of Compiègne
- 7 The Divine Office at Saint‐Martial in the Early Eleventh Century
- 8 The Cluniac Processional of Solesmes
- 9 Taking the Rough with the Smooth
- 10 Office Compositions from St. Gall
- 11 The Development and Chronology of the Ambrosian Sanctorale
- 12 Performing Latin Verse
- 13 From Office to Mass
- 14 The Office for the Feast of the Circumcision from Le Puy
- 15 The Palm Sunday Procession in Medieval Chartres
- 16 Nonconformity in the Use of Cambrai Cathedral
- 17 Transforming a Viking into a Saint
- 18 On the Prose <i>Historia</i> of St. Augustine
- 19 The <i>Historia</i> of St. Julian of Le Mans by Létald of Micy
- 20 The Little Office of the Virgin and Mary's Role at Paris
- 21 The Carmelite Feast of the Presentation of the Virgin
- 22 Large Projects and Small Resources
- 23 CANTUS and Tonaries
- Bibliography of Writings by Ruth Steiner
- Bibliography
- Index of Manuscripts
- Index of Incipits
- Index of Saints
- General Index
