- Title Pages
- Dedication
- Preface
- Acknowledgments
- List of Illustrations
- List of Tables
- List of Musical Examples
- Contributors
- Prelude
- I Sermons, Sacramentaries, and Early Sources for the Office in the Latin West
- 2 Reading an Office Book
- 3 The Origins of the Western Office
- 4 Observations on the Divine Office in the Rule of the Master
- 5 Eastern and Western Elements in the Irish Monastic Prayer of the Hours
- 6 The Antiphoner of Compiègne
- 7 The Divine Office at Saint‐Martial in the Early Eleventh Century
- 8 The Cluniac Processional of Solesmes
- 9 Taking the Rough with the Smooth
- 10 Office Compositions from St. Gall
- 11 The Development and Chronology of the Ambrosian Sanctorale
- 12 Performing Latin Verse
- 13 From Office to Mass
- 14 The Office for the Feast of the Circumcision from Le Puy
- 15 The Palm Sunday Procession in Medieval Chartres
- 16 Nonconformity in the Use of Cambrai Cathedral
- 17 Transforming a Viking into a Saint
- 18 On the Prose <i>Historia</i> of St. Augustine
- 19 The <i>Historia</i> of St. Julian of Le Mans by Létald of Micy
- 20 The Little Office of the Virgin and Mary's Role at Paris
- 21 The Carmelite Feast of the Presentation of the Virgin
- 22 Large Projects and Small Resources
- 23 CANTUS and Tonaries
- Bibliography of Writings by Ruth Steiner
- Bibliography
- Index of Manuscripts
- Index of Incipits
- Index of Saints
- General Index
Nonconformity in the Use of Cambrai Cathedral
Nonconformity in the Use of Cambrai Cathedral
Guillaume Du Fay's Foundations
- Chapter:
- (p.372) 16 Nonconformity in the Use of Cambrai Cathedral
- Source:
- The Divine Office in the Latin Middle Ages
- Author(s):
Barbara Haggh
- Publisher:
- Oxford University Press
Before his death, Dufay founded seventeen monophonic and polyphonic Masses to be held by his tomb in a chapel, Masses for saints not in the service books for the main choir of Cambrai Cathedral, thus foundations not conforming to a “use”. Archives and service books explain the foundations and context of Dufay's Masses for Anthony of Padua (one of his 17); Anthony Abbot (probably for an obit of the dukes of Burgundy celebrated in Brussels); his lost polyphonic Office of the Dead; and his Missa “Ave regina celorum” (for the Marian Mass in the Cathedral's choir).
Keywords: mass, liturgical books, France, Cambrai, religious institutions, Cambrai Cathedral, nonconformity, Office of the Dead, Ave regina celorum
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- Title Pages
- Dedication
- Preface
- Acknowledgments
- List of Illustrations
- List of Tables
- List of Musical Examples
- Contributors
- Prelude
- I Sermons, Sacramentaries, and Early Sources for the Office in the Latin West
- 2 Reading an Office Book
- 3 The Origins of the Western Office
- 4 Observations on the Divine Office in the Rule of the Master
- 5 Eastern and Western Elements in the Irish Monastic Prayer of the Hours
- 6 The Antiphoner of Compiègne
- 7 The Divine Office at Saint‐Martial in the Early Eleventh Century
- 8 The Cluniac Processional of Solesmes
- 9 Taking the Rough with the Smooth
- 10 Office Compositions from St. Gall
- 11 The Development and Chronology of the Ambrosian Sanctorale
- 12 Performing Latin Verse
- 13 From Office to Mass
- 14 The Office for the Feast of the Circumcision from Le Puy
- 15 The Palm Sunday Procession in Medieval Chartres
- 16 Nonconformity in the Use of Cambrai Cathedral
- 17 Transforming a Viking into a Saint
- 18 On the Prose <i>Historia</i> of St. Augustine
- 19 The <i>Historia</i> of St. Julian of Le Mans by Létald of Micy
- 20 The Little Office of the Virgin and Mary's Role at Paris
- 21 The Carmelite Feast of the Presentation of the Virgin
- 22 Large Projects and Small Resources
- 23 CANTUS and Tonaries
- Bibliography of Writings by Ruth Steiner
- Bibliography
- Index of Manuscripts
- Index of Incipits
- Index of Saints
- General Index