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Print Culture and Music in Sixteenth-Century Venice$
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Print Culture and Music in Sixteenth-Century Venice

Jane A. Bernstein

Print publication date: 2002

Print ISBN-13: 9780195141085

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195141085.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 28 October 2020

THE FINANCING OF VENETIAN MUSIC BOOKS

THE FINANCING OF VENETIAN MUSIC BOOKS

Chapter:
(p.73) Three THE FINANCING OF VENETIAN MUSIC BOOKS
Source:
Print Culture and Music in Sixteenth-Century Venice
Author(s):

Jane A. Bernstein

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195141085.003.0004

This chapter examines the financial arrangements made in the publishing of music books, describing independent sponsorship and partnerships with other bookmen. Publications commissioned by composers and other third parties are also explained. The chapter defines the various relationships that existed among 16th-century Venetian music printers.

Keywords:   partnerships, financial backers, commissioned publications, connections among presses, sponsorship

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