- Title Pages
- Acknowledgments
- Preface
- Ottaviano Petrucci
- Introduction
- Chapter One Biography
- Chapter Two Petrucci's Privileges
- Chapter Three Petrucci's Materials
- Chapter Four Normal Printing-house Procedures
- Chapter Five Problems of Chronology: Editions and Impressions, Cancels and Sophisticated Copies
- Chapter Six Other Patterns of In-house Correction
- Chapter Seven The Non-musical Books
- Chapter Eight: Ideal Copy: Petrucci's View of the Book, Its Character, Function, and Destination
- Chapter Nine Petrucci's Repertoire and Its Sources
- Chapter Ten The Dissemination of Petrucci's Books and Repertoire
- Chapter Eleven Petrucci's Technical Legacy
- Chapter Twelve Coda: Early Music Printing as an Agent of Change
- Chapter Thirteen Checklist of Petrucci's Publications, in Chronological Order
- Chapter Fourteen Ghosts: Books and Editions Falsely Attributed to Petrucci
- Chapter Fifteen Petrucci's Type, Initial Letters, and Watermarks
- Chapter Sixteen Bibliographical Concepts and Terminology
- Chapter Seventeen Bibliographical Descriptions
- Chapter Eighteen Concordance Lists for All Petrucci's Musical Output
- Chapter Nineteen Concordant Sources
- Chapter Twenty Documents
- Bibliography
- Index of Libraries Holding Copies of Petrucci's Editions
- Index of Editions
- General Index
Introduction
Introduction
- Chapter:
- (p.3) Introduction
- Source:
- Ottaviano Petrucci
- Author(s):
Stanley Boorman
- Publisher:
- Oxford University Press
This book is a bibliographical study of Ottaviano Petrucci. For well over a century, he has been seen as a key figure in the history of music, and a producer of music to the highest professional and artistic standards. Indeed, scholars sometimes seem to suggest that he ushered in, single-handedly, a revolution in the availability of music and in the level and spread of musical literacy. While certainly an innovator, a disseminator, and in some measure the initiator of the great explosion in musical literacy to which Claudio Sartori refers, Petrucci was less significant in the history of music than some statements would imply. Therefore, while he was undoubtedly significant as the first to attempt the bulk dissemination of music through printing, his achievement in these areas needs to be assessed.
Keywords: Ottaviano Petrucci, history, music, producer, musical literacy, Claudio Sartori, printing
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- Title Pages
- Acknowledgments
- Preface
- Ottaviano Petrucci
- Introduction
- Chapter One Biography
- Chapter Two Petrucci's Privileges
- Chapter Three Petrucci's Materials
- Chapter Four Normal Printing-house Procedures
- Chapter Five Problems of Chronology: Editions and Impressions, Cancels and Sophisticated Copies
- Chapter Six Other Patterns of In-house Correction
- Chapter Seven The Non-musical Books
- Chapter Eight: Ideal Copy: Petrucci's View of the Book, Its Character, Function, and Destination
- Chapter Nine Petrucci's Repertoire and Its Sources
- Chapter Ten The Dissemination of Petrucci's Books and Repertoire
- Chapter Eleven Petrucci's Technical Legacy
- Chapter Twelve Coda: Early Music Printing as an Agent of Change
- Chapter Thirteen Checklist of Petrucci's Publications, in Chronological Order
- Chapter Fourteen Ghosts: Books and Editions Falsely Attributed to Petrucci
- Chapter Fifteen Petrucci's Type, Initial Letters, and Watermarks
- Chapter Sixteen Bibliographical Concepts and Terminology
- Chapter Seventeen Bibliographical Descriptions
- Chapter Eighteen Concordance Lists for All Petrucci's Musical Output
- Chapter Nineteen Concordant Sources
- Chapter Twenty Documents
- Bibliography
- Index of Libraries Holding Copies of Petrucci's Editions
- Index of Editions
- General Index