Show Summary Details
- Title Pages
- Acknowledgments
- Preface
- Ottaviano Petrucci
- Introduction
- Chapter One Biography
- Chapter Two Petrucci's Privileges
- Chapter Three Petrucci's Materials
- Chapter Four Normal Printing-house Procedures
- Chapter Five Problems of Chronology: Editions and Impressions, Cancels and Sophisticated Copies
- Chapter Six Other Patterns of In-house Correction
- Chapter Seven The Non-musical Books
- Chapter Eight: Ideal Copy: Petrucci's View of the Book, Its Character, Function, and Destination
- Chapter Nine Petrucci's Repertoire and Its Sources
- Chapter Ten The Dissemination of Petrucci's Books and Repertoire
- Chapter Eleven Petrucci's Technical Legacy
- Chapter Twelve Coda: Early Music Printing as an Agent of Change
- Chapter Thirteen Checklist of Petrucci's Publications, in Chronological Order
- Chapter Fourteen Ghosts: Books and Editions Falsely Attributed to Petrucci
- Chapter Fifteen Petrucci's Type, Initial Letters, and Watermarks
- Chapter Sixteen Bibliographical Concepts and Terminology
- Chapter Seventeen Bibliographical Descriptions
- Chapter Eighteen Concordance Lists for All Petrucci's Musical Output
- Chapter Nineteen Concordant Sources
- Chapter Twenty Documents
- Bibliography
- Index of Libraries Holding Copies of Petrucci's Editions
- Index of Editions
- General Index
(p.v) Acknowledgments
(p.v) Acknowledgments
- Source:
- Ottaviano Petrucci
- Publisher:
- Oxford University Press
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
- Title Pages
- Acknowledgments
- Preface
- Ottaviano Petrucci
- Introduction
- Chapter One Biography
- Chapter Two Petrucci's Privileges
- Chapter Three Petrucci's Materials
- Chapter Four Normal Printing-house Procedures
- Chapter Five Problems of Chronology: Editions and Impressions, Cancels and Sophisticated Copies
- Chapter Six Other Patterns of In-house Correction
- Chapter Seven The Non-musical Books
- Chapter Eight: Ideal Copy: Petrucci's View of the Book, Its Character, Function, and Destination
- Chapter Nine Petrucci's Repertoire and Its Sources
- Chapter Ten The Dissemination of Petrucci's Books and Repertoire
- Chapter Eleven Petrucci's Technical Legacy
- Chapter Twelve Coda: Early Music Printing as an Agent of Change
- Chapter Thirteen Checklist of Petrucci's Publications, in Chronological Order
- Chapter Fourteen Ghosts: Books and Editions Falsely Attributed to Petrucci
- Chapter Fifteen Petrucci's Type, Initial Letters, and Watermarks
- Chapter Sixteen Bibliographical Concepts and Terminology
- Chapter Seventeen Bibliographical Descriptions
- Chapter Eighteen Concordance Lists for All Petrucci's Musical Output
- Chapter Nineteen Concordant Sources
- Chapter Twenty Documents
- Bibliography
- Index of Libraries Holding Copies of Petrucci's Editions
- Index of Editions
- General Index