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From Paris to PeoriaHow European Piano Virtuosos Brought Classical Music to the American Heartland$
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From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland

R. Allen Lott

Print publication date: 2003

Print ISBN-13: 9780195148831

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195148831.001.0001

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A Refined Parisian Pianist

A Refined Parisian Pianist

Chapter:
(p.55) CHAPTER 4 A Refined Parisian Pianist
Source:
From Paris to Peoria
Author(s):

R. Allen Lott

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195148831.003.0005

Unlike the obscure newcomer De Meyer, Henri Herz (1803-88) already had a well-established reputation as pianist, composer, teacher, and piano manufacturer when he arrived in America in 1846. Because of his well-known reputation, Herz was well received without having to resort to sensational publicity and attracted many amateur pianists and music lovers to his concerts. His piano music, noted for its brilliance and elegance, consisted primarily of variations and fantasias on opera themes. His performances of works for multiple pianos (e.g., Overture to Rossini's William Tell arranged for sixteen pianists on eight pianos) were popular with audiences if not critics. Bernard Ullman soon became Herz's manager and began resorting to more outrageous publicity. John Sullivan Dwight, Boston's most prominent music critic, was rhapsodic about Herz's performances.

Keywords:   Henri Herz, amateur pianists, music lovers, Bernard Ullman, John Sullivan Dwight

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