- Title Pages
- Dedication
- PREFACE
- ACKNOWLEDGMENTS
- PRELUDE
- PART ONE Leopold de Meyer 1845–47
- CHAPTER 1 The Lion Stalks America
- CHAPTER 2 De Meyer in the South and Midwest
- CHAPTER 3 The Lion Tamed
- PART TWO Henri Herz 1846–50
- CHAPTER 4 A Refined Parisian Pianist
- CHAPTER 5 With Sivori and Knoop
- CHAPTER 6 French Pianos, Italian Opera, and California Gold
- INTERLUDE I
- PART THREE Sigismund Thalberg 1856–58
- CHAPTER 7 A Rival or Liszt
- CHAPTER 8 At the Matinées
- CHAPTER 9 Henry Vieuxtemps and a Troubled Season
- INTERLUDE II
- PART FOUR Anton Kubinstcin 1872–73
- CHAPTER 10 “ The Shaggy Maestro”
- CHAPTER 11 Wieniawski
- CHAPTER 12 Rubinstein's “Magnificent Faultiness”
- CHAPTER 13 Joint Venture with Theodore Thomas
- PART FIVE Hans von Bülow 1875–76
- CHAPTER 14 Escape to the New World
- CHAPTER 15 “Unfortunately … He Also lalks”
- CHAPTER 16 The Midwest and Back
- POSTLUDE
- APPENDIX A Itineraries
- APPENDIX B Rubinstem's and Bülow's Repertoire in America
- BIBLIOGRAPHY
- Index
INTERLUDE I
INTERLUDE I
- Chapter:
- (p.105) INTERLUDE I
- Source:
- From Paris to Peoria
- Author(s):
R. Allen Lott
- Publisher:
- Oxford University Press
Although some writers took a cynical view of the influence of virtuosos touring the United States, most believed the visiting pianists were useful models for budding pianists and were responsible for awaking a general interest in music and improving the public's discrimination. Alfred Jaëll (1832-82) was the next world-famous pianist to visit America, making his debut in 1851 and touring with the Germania Musical Society orchestra. Two other important pianists who soon made debuts were the Americans Louis Moreau Gottschalk (1829-69) in 1853 and William Mason (1829-1908) in 1854, both returning from studying and performing abroad. Neither was as successful as the European performers, reflecting America's discrimination against native-born talent. Although there were frequent rumors that Franz Liszt (1811-86) would tour America, he never yielded to the numerous offers.
Keywords: Alfred Jaëll, Germania Musical Society, Louis Moreau Gottschalk, William Mason, Franz Liszt
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- Title Pages
- Dedication
- PREFACE
- ACKNOWLEDGMENTS
- PRELUDE
- PART ONE Leopold de Meyer 1845–47
- CHAPTER 1 The Lion Stalks America
- CHAPTER 2 De Meyer in the South and Midwest
- CHAPTER 3 The Lion Tamed
- PART TWO Henri Herz 1846–50
- CHAPTER 4 A Refined Parisian Pianist
- CHAPTER 5 With Sivori and Knoop
- CHAPTER 6 French Pianos, Italian Opera, and California Gold
- INTERLUDE I
- PART THREE Sigismund Thalberg 1856–58
- CHAPTER 7 A Rival or Liszt
- CHAPTER 8 At the Matinées
- CHAPTER 9 Henry Vieuxtemps and a Troubled Season
- INTERLUDE II
- PART FOUR Anton Kubinstcin 1872–73
- CHAPTER 10 “ The Shaggy Maestro”
- CHAPTER 11 Wieniawski
- CHAPTER 12 Rubinstein's “Magnificent Faultiness”
- CHAPTER 13 Joint Venture with Theodore Thomas
- PART FIVE Hans von Bülow 1875–76
- CHAPTER 14 Escape to the New World
- CHAPTER 15 “Unfortunately … He Also lalks”
- CHAPTER 16 The Midwest and Back
- POSTLUDE
- APPENDIX A Itineraries
- APPENDIX B Rubinstem's and Bülow's Repertoire in America
- BIBLIOGRAPHY
- Index