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From Paris to PeoriaHow European Piano Virtuosos Brought Classical Music to the American Heartland$
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From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland

R. Allen Lott

Print publication date: 2003

Print ISBN-13: 9780195148831

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195148831.001.0001

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A Rival or Liszt

A Rival or Liszt

Chapter:
(p.115) CHAPTER 7 A Rival or Liszt
Source:
From Paris to Peoria
Author(s):

R. Allen Lott

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195148831.003.0009

Sigismund Thalberg (1812-71) was the one pianist to rival Liszt in the 1830s. Bernard Ullman, with a decade of managerial experience, masterminded Thalberg's two-year American tour (1856-8) that included almost nightly concerts and totaled at least 340 concerts in seventy-eight cities. Thalberg found devoted audiences that returned over and over again to hear flawless performances of his celebrated virtuoso showpieces. While in the US, he also wrote variations on “The Last Rose of Summer” and “Home, Sweet Home”, the latter extremely successful. Ullman arranged a continuously changing roster of assisting artists that included singers and the American pianists Louis Moreau Gottschalk and William Mason. His performances of Beethoven concertos were a significant departure for a visiting virtuoso and were well received.

Keywords:   Sigismund Thalberg, Franz Liszt, Bernard Ullman, concert management, Home, Sweet Home, Louis Moreau Gottschalk, William Mason, Beethoven piano concertos

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