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Hearing in TimePsychological Aspects of Musical Meter$
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Justin London

Print publication date: 2004

Print ISBN-13: 9780195160819

Published to Oxford Scholarship Online: September 2007

DOI: 10.1093/acprof:oso/9780195160819.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 28 September 2021

The Many Meters Hypothesis

The Many Meters Hypothesis

(p.142) 9 The Many Meters Hypothesis
Hearing in Time

Justin London

Oxford University Press

It has long been known that music played by human performers involve subtle expressive variations in timing and dynamics. It is based on experience with such expressively-performed music that we develop our habits of metric entrainment. These habits are acquired relatively early in life, highly practiced, and subject to continuing refinement. Meter may thus be regarded as a highly skilled behavior. Metric skills allow us to hear these subtle variations in timing as characteristic of meters in various styles, genres, and even particular performers. Thus, our knowledge of meter (a kind of procedural knowledge) involves not a few basic patterns, but a large number of context-specific, expressively-nuanced tempo-metrical types. This is the many meters hypothesis. The number and degree of individuation among them increases with age, training, and musical enculturation.

Keywords:   rhythmic performance, expressive variation, skill, musical style

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