Colloredo summoned Mozart to Vienna as a Konzertmeister, composer, and keyboard player, to entertain his guests. Colloredo surely noticed Mozart's interest in exploiting Vienna for his own benefit: for Mozart it was “the land of the Clavier”. Mozart was plotting his escape almost from the moment of arrival. He reviewed the chances of gaining a foothold at court, such as might have satisfied even Leopold, but there were no vacancies. Mozart's insubordinate attitude led the archbishop to fire him in May, but only orally, and his release took a month's negotiation. He worked extremely hard to realise his intention to support himself on a freelance basis. He finished the six violin sonatas published by Artaria in 1781 as Op.2, dedicating them to Josepha Auernhammer. A less homogeneous selection followed, published by Torricella in 1784, containing two B flat sonatas (K. 330=31SC of 1783 for piano, and K. 454 for piano and violin) and the earlier piano sonata in D (K. 284–205b, of 1775). He composed variation sets for violin and piano and for piano alone.
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