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RASAAffect and Intuition in Javanese Musical Aesthetics$
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Marc Benamou

Print publication date: 2010

Print ISBN-13: 9780195189438

Published to Oxford Scholarship Online: September 2010

DOI: 10.1093/acprof:oso/9780195189438.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 28 November 2021

The Musical Scene in Solo

The Musical Scene in Solo

Chapter:
(p.3) One The Musical Scene in Solo
Source:
RASA
Author(s):

Marc Benamou

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195189438.003.0001

Chapter 1 sets the scene, providing a brief musical portrait of the city of Solo with some attention to history. Institutional (the royal court, the academies, the radio station) and noninstitutional contexts for gamelan music are contrasted, and some of the many kinds of music excluded from the study are outlined. Performance contexts, such as dance and wayang (shadow theater) accompaniment, are described, as well as the dramatis personae—the musicians whose words form the corpus of the book.

Keywords:   gamelan, Solo, royal court, institution, academy, wayang, history, dance

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