- Title Pages
- Dedication
- Preface
- List of Illustrations
- List of Musical Examples
- Abbreviations
- Introduction: The Business and Politics of Opera in Fin‐de‐Siècle Paris
- 1 The Ascent of Massenet
- 2 Manon
- 3 Around an American Muse
- 4 Esclarmonde
- 5 Massenet at the Apex
- 6 Werther
- 7 ThaÏs
- 8 Massenet Emasculated
- 9 Ernest Reyer as Berliozian
- 10 Sigurd
- 11 Camille Saint‐SaËns, Gounod, and the Wagnerians
- 12 Saint‐SaËns on the Cusp
- 13 Henry VIII
- 14 Édouard Lalo: Wagnerian <i>malgré lui</i>
- 15 Le Roi d'Ys
- 16 Emmanuel Chabrier: Wagnerian of the First Hour
- 17 Gwendoline
- 18 Le Roi malgré lui
- 19 Vincent d'Indy and Moral Order
- 20 The <i>Franckiste</i> as Wagner Critic
- 21 Fervaal
- 22 The Apotheosis of Ernest Chausson
- 23 Le Roi Arthus
- 24 Alfred Bruneau and Émile Zola
- 25 L'Attaque du moulin
- 26 Bohemian Montmartre, Anarchism, and Gustave Charpentier
- 27 Louise
- Epilogue by Way of <i>Pelléas et Mélisande</i>
- Appendix: Plot Summaries
- Selected Bibliography
- Index
Epilogue by Way of Pelléas et Mélisande
Epilogue by Way of Pelléas et Mélisande
- Chapter:
- (p.468) Epilogue by Way of Pelléas et Mélisande
- Source:
- French Opera at the Fin de Siecle
- Author(s):
Steven Huebner
- Publisher:
- Oxford University Press
This concluding chapter begins with a discussion of Stéphane Mallarmé's essay/prose poem, ‘Richard Wagner: RÊverie d'un poète français’. Mallarmé's essay resonates with his own thinking as well as with Pelléas et Mélisande: following validation of the Wagnerian heritage came questioning and repudiation, Wagner as merely an ‘intermediate’ phase.
Keywords: Wagner, Mallarmé, Debussy, Pelléas et Mélisande
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- Title Pages
- Dedication
- Preface
- List of Illustrations
- List of Musical Examples
- Abbreviations
- Introduction: The Business and Politics of Opera in Fin‐de‐Siècle Paris
- 1 The Ascent of Massenet
- 2 Manon
- 3 Around an American Muse
- 4 Esclarmonde
- 5 Massenet at the Apex
- 6 Werther
- 7 ThaÏs
- 8 Massenet Emasculated
- 9 Ernest Reyer as Berliozian
- 10 Sigurd
- 11 Camille Saint‐SaËns, Gounod, and the Wagnerians
- 12 Saint‐SaËns on the Cusp
- 13 Henry VIII
- 14 Édouard Lalo: Wagnerian <i>malgré lui</i>
- 15 Le Roi d'Ys
- 16 Emmanuel Chabrier: Wagnerian of the First Hour
- 17 Gwendoline
- 18 Le Roi malgré lui
- 19 Vincent d'Indy and Moral Order
- 20 The <i>Franckiste</i> as Wagner Critic
- 21 Fervaal
- 22 The Apotheosis of Ernest Chausson
- 23 Le Roi Arthus
- 24 Alfred Bruneau and Émile Zola
- 25 L'Attaque du moulin
- 26 Bohemian Montmartre, Anarchism, and Gustave Charpentier
- 27 Louise
- Epilogue by Way of <i>Pelléas et Mélisande</i>
- Appendix: Plot Summaries
- Selected Bibliography
- Index
