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Specters of DemocracyBlackness and the Aesthetics of Politics in the Antebellum U.S.$
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Ivy G. Wilson

Print publication date: 2011

Print ISBN-13: 9780195337372

Published to Oxford Scholarship Online: September 2011

DOI: 10.1093/acprof:oso/9780195337372.001.0001

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Conclusion: Shadow and Act Redux

Conclusion: Shadow and Act Redux

(p.169) Conclusion: Shadow and Act Redux
Specters of Democracy

Ivy G. Wilson

Oxford University Press

This concluding chapter extends the book's readings of aurality and visuality over a wide-range of late 20th-century African American cultural production including works by hip hop artists Common and OutKast, political figure Malcolm X, artist Robert Colescott, and musicians Parliament/Funkadelic. Intimating the applicability of the book's critical currency of “the remix,” the chapter illustrates the continued salience of art to political discourse.

Keywords:   over-dub, political materiality, contrapuntal rhythmic, alternation, utopic, fantastic, ideologem

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