Show Summary Details
- Title Pages
- Dedication
- Preface
- Acknowledgments
- 1 with juana canabal antokoletz Backgrounds and Development
- 2 The New Musical Language
- 3 juana canabal antokoletz Trauma, Gender, and the Unfolding of the Unconscious
- 4 Pelléas et Mélisande
- 5 Pelléas et Mélisande
- 6 Pelléas et Mélisande
- 7 Pelléas et Mélisande
- 8 Pelléas et Mélisande
- 9 Duke Bluebeard's Castle
- 10 Duke Bluebeard's Castle
- 11 Duke Bluebeard's Castle
- 12 Duke Bluebeard's Castle
- 13 Symbolism and Expressionism in Other Early Twentieth‐Century Operas
- 14 Epilogue
- Works Cited
- Index
(p.331) Works Cited
(p.331) Works Cited
- Source:
- Musical Symbolism in the Operas of Debussy and Bartok
- Publisher:
- Oxford University Press
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- Title Pages
- Dedication
- Preface
- Acknowledgments
- 1 with juana canabal antokoletz Backgrounds and Development
- 2 The New Musical Language
- 3 juana canabal antokoletz Trauma, Gender, and the Unfolding of the Unconscious
- 4 Pelléas et Mélisande
- 5 Pelléas et Mélisande
- 6 Pelléas et Mélisande
- 7 Pelléas et Mélisande
- 8 Pelléas et Mélisande
- 9 Duke Bluebeard's Castle
- 10 Duke Bluebeard's Castle
- 11 Duke Bluebeard's Castle
- 12 Duke Bluebeard's Castle
- 13 Symbolism and Expressionism in Other Early Twentieth‐Century Operas
- 14 Epilogue
- Works Cited
- Index
