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Music as DiscourseSemiotic Adventures in Romantic Music$
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Kofi Agawu

Print publication date: 2008

Print ISBN-13: 9780195370249

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195370249.001.0001

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Beethoven, String Quartet, op. 130/i (1825–1826), and Stravinsky, Symphonies of Wind Instruments (1920)

Beethoven, String Quartet, op. 130/i (1825–1826), and Stravinsky, Symphonies of Wind Instruments (1920)

Chapter:
(p.281) Chapter Nine Beethoven, String Quartet, op. 130/i (1825–1826), and Stravinsky, Symphonies of Wind Instruments (1920)
Source:
Music as Discourse
Author(s):

Kofi Agawu

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195370249.003.0010

This chapter looks at two works that may serve to provide better understanding of the concept of musical discourse as essentially being a discourse of repetition. The analysis in this chapter is similar to that given in the other chapters: this chapter comments on the building blocks of each work separately and then concludes with remarks of a directly comparative nature.

Keywords:   musical discourse, discourse of repetition, building blocks, comparative

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