- Title Pages
- Illustration
- Dedication
- Introduction
-
1 Vitaphone Prelude -
2 The Sound Barrier -
3 “You Were Meant for Me” -
4 On with the Show! -
5 Finding a Voice -
6 Dueling Mammies -
7 Hollywood, Revued -
8 Broadway Babies -
9 “With All Its Original Stage Enchantment” -
10 Just Imagine -
11 The Cuckoos -
12 Of Viennese Nights and Golden Dawns -
13 Is It a Musical? -
14 The March of Time -
15 Voices in the Wilderness -
16 “We're in the Money” -
17 The Past as Prologue - Finale
- Acknowledgments
-
Appendix I Notes on Lost Films -
Appendix II A Selective Discography: The First Musicals on Record - Source Notes
- Selected Bibliography
- Index
The March of Time
The March of Time
- Chapter:
- (p.313) 14 The March of Time
- Source:
- A Song in the Dark
- Author(s):
Richard Barrios
- Publisher:
- Oxford University Press
Numerous factors accounted for the precipitous decline in musicals starting in mid-1930. The stock market crash and the Pathé studio fire in 1929 were dire omens, and the overabundance of backstage films and unsuitability of filmed revues and operettas played a prominent role. Songs were cut from a number of (former) musicals such as The Life of the Party, while some major projects were aborted shortly before shooting. Most calamitous was MGM's The March of Time, a lavish and shapeless revue that was tinkered with incessantly and finally abandoned, a symbol of the hubris and miscalculation of the era.
Keywords: stock market crash, Depression, oversaturation, Pathé fire, audience, failure, re-editing, MGM, March of Time
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- Title Pages
- Illustration
- Dedication
- Introduction
-
1 Vitaphone Prelude -
2 The Sound Barrier -
3 “You Were Meant for Me” -
4 On with the Show! -
5 Finding a Voice -
6 Dueling Mammies -
7 Hollywood, Revued -
8 Broadway Babies -
9 “With All Its Original Stage Enchantment” -
10 Just Imagine -
11 The Cuckoos -
12 Of Viennese Nights and Golden Dawns -
13 Is It a Musical? -
14 The March of Time -
15 Voices in the Wilderness -
16 “We're in the Money” -
17 The Past as Prologue - Finale
- Acknowledgments
-
Appendix I Notes on Lost Films -
Appendix II A Selective Discography: The First Musicals on Record - Source Notes
- Selected Bibliography
- Index