From Landscape to the Painting of Modern Life
From Landscape to the Painting of Modern Life
This chapter analyses Baudelaire's admiration for Eugène Boudin, inflecting the poet towards an aesthetic of the fleeting and the evanescent, which is eventually spelled out in Le Peintre de la Vie Modern and exemplified in the works of Constantin Guys. It focuses on ‘Les Annales de la Guerre’, ‘Pompes et Solennités’, ‘Le Militaire’, and ‘Les Femmes et les Filles’.
Keywords: Eugène Boudin, art criticism, Le Peintre de la Vie Modern, Constantin Guys, Baudelaire
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