Subjectivity, Causality, and Time
Subjectivity, Causality, and Time
This chapter first examines the way in which subjectivity in film is often produced by causality and restrictions that refocus attention to proximal sites of experience. It then characterizes the way in which temporal experiences are subjective, but cued by a set of cognitive and affective parameters in the diegetic world. It demonstrates the means by which temporal experiences provide modal tones to visual fiction.
Keywords: visual fiction, film, temporal experiences, subjectivity
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .