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Moving PicturesA New Theory of Film Genres, Feelings, and Cognition$
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Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition

Torben Grodal

Print publication date: 1999

Print ISBN-13: 9780198159834

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198159834.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 16 January 2021

Subjectivity, Causality, and Time

Subjectivity, Causality, and Time

Chapter:
(p.129) 6 Subjectivity, Causality, and Time
Source:
Moving Pictures
Author(s):

Torben Grodal

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198159834.003.0007

This chapter first examines the way in which subjectivity in film is often produced by causality and restrictions that refocus attention to proximal sites of experience. It then characterizes the way in which temporal experiences are subjective, but cued by a set of cognitive and affective parameters in the diegetic world. It demonstrates the means by which temporal experiences provide modal tones to visual fiction.

Keywords:   visual fiction, film, temporal experiences, subjectivity

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