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Moving PicturesA New Theory of Film Genres, Feelings, and Cognition$
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Torben Grodal

Print publication date: 1999

Print ISBN-13: 9780198159834

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198159834.001.0001

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Comic Fictions

Comic Fictions

Chapter:
(p.185) 8 Comic Fictions
Source:
Moving Pictures
Author(s):

Torben Grodal

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198159834.003.0009

This chapter provides new descriptions of central dimensions in comic fictions. It discusses comic fictions as hypotheses of reality-status and shows that the perception of humour is an illocutionary mental act, related to an autonomic response, laughter, at a high level of arousal and mental overload. It discusses the relations between the comic and pleasure, and the role of empathy and voluntary acts as exemplified in our relations to clowns. It also discusses the role of the comic in narrative sequences, especially the way in which, as a parasympathetic reaction, it supports ‘fusion’ and incorporation.

Keywords:   comic fiction, humour, laughter, empathy, voluntary acts, narrative sequences

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