Introduction
Introduction
The chapter discusses the author's interest on Aaron Hill, which began when he was a graduate student in mid-1980s, working on the relationship between patriotism and poetry in the Walpole era. Hill seemed to be an ambivalent figure, linked to Pope in his prognostications of cultural doom and national decline, yet wedded to an entirely different poetic derived from a critically marginalized tradition of enthusiasm and sublimity: a poetic associated before the middle of the 18th century with writers such as John Dennis, Isaac Watts, and James Thomson. Critical scholarship of the 1980s and beyond has challenged and reconfigured the so-called ‘Augustan’ literary canon, shedding light on neglected authors and scrutinising the processes of canon-formation which shape our perception of 18th-century writing. Brean Hammond's Professional Imaginative Writing questioned Pope's own adjudication of literary values, particularly his suspicious dismissal of professional writers such as Colley Cibber, Eliza Haywood, and Aaron Hill.
Keywords: Aaron Hill, Walpole, Pope, John Dennis, Isaac Watts, James Thomson, Augustan literary canon, Brean Hammond, Colley Cibber, Eliza Haywood
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .