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Wilde's IntentionsThe Artist in his Criticism$
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Lawrence Danson

Print publication date: 1998

Print ISBN-13: 9780198186281

Published to Oxford Scholarship Online: March 2012

DOI: 10.1093/acprof:oso/9780198186281.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 17 June 2021

‘The Critic as Artist’

‘The Critic as Artist’

Chapter:
(p.127) 6 ‘The Critic as Artist’
Source:
Wilde's Intentions
Author(s):

Lawrence Danson

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198186281.003.0007

This chapter analyses Oscar Wilde's essay The Critic as Artist, which suggests that the true critic of a work of art is the starting point for a new work of art. This interpretation of Wilde's essay also discovers a position of refine contempt for the world of fact, which non-artist critics continue to inhabit. The chapter argues that the essay owes its unshapely shape to Wilde's polemical concerns at the beginning of the last decade of the nineteenth century, and its contempt for history to an urgent need to rewrite his history before others could inscribe in on his behalf.

Keywords:   Critic as Artist, Oscar Wilde, essay, art criticism, polemical concerns, work of art

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