Jump to ContentJump to Main Navigation
Oscar Wilde's ProfessionWriting and the Culture Industry in the Late Nineteenth Century$
Users without a subscription are not able to see the full content.

Josephine M. Guy and Ian Small

Print publication date: 2000

Print ISBN-13: 9780198187288

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198187288.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 17 September 2021

The Bodley Head

The Bodley Head

(p.135) 5 The Bodley Head
Oscar Wilde's Profession

Josephine M. Guy

Ian Small

Oxford University Press

Modern literary historians have tended to be suspicious of Wilde's rhetoric in the 1880s about the autonomy of art and the artist. None the less they have been willing to see his post-1891 publications — his set of limited-edition books published by the Bodley Head — as a change of direction, as evidence of a self-conscious repudiation of the values of the mass market, a move in turn made possible by the fact that, by 1892, he was earning enough money from the theatre to allow him not to compromise his literary art. In other words, Wilde's Bodley Head books have been seen primarily as aesthetic objects (both textually and materially), designed not to make money but rather to appeal to the taste of those readers in possession of Pater's ‘special kind of temperament’: they have been taken as an indication that Wilde had finally found that elusive readership with tastes as non-commercial as he pretended his own were. This chapter shows that in his actual publishing practices Wilde seemed content in conflating aesthetic with monetary value: a social exclusiveness, which the Aesthetes had represented as a refinement of the spirit or temperament, was translated in Wilde's Bodley Head books into a simple financial elitism. Wilde was fully aware that rarity could be created by manipulating the market: that is, material rarity — the newly-revived publishing phenomenon of the limited edition could confer on his work (or be a substitute for) an aesthetic distinction which his peers had consistently refused to recognize in his writing alone.

Keywords:   Oscar Wilde, Bodley Head, publishers, publishing, writing career

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .