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Music and mind in everyday life$
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Eric Clarke, Nicola Dibben, and Stephanie Pitts

Print publication date: 2009

Print ISBN-13: 9780198525578

Published to Oxford Scholarship Online: March 2012

DOI: 10.1093/acprof:oso/9780198525578.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use.date: 27 January 2022

Improvising and composing

Improvising and composing

Chapter:
(p.49) Chapter 4 Improvising and composing
Source:
Music and mind in everyday life
Author(s):

Eric Clarke

Nicola Dibben

Stephanie Pitts

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198525578.003.0004

This chapter defines improvisation as the art of making up something as the musician goes along with the music — an instant composition — and ‘the most widely practised of all musical activities and the least acknowledged and understood’. The chapter relates how musical improvisation can be interrelated and how it can appear to be similar to human beings' daily communication and discourse. Composition, on the other hand, is a more complex and sophisticated area which requires deeper psychological study to understand the composers' motivations, intentions, and emotions. Studying composition as a sophisticated musical activity provides insights on cultural creations and myths. The chapter discusses introspection as a major part of this musical skill and activity, and relates psychological studies and concepts involved in such.

Keywords:   improvisation, composition, introspection, John Sloboda, improvising and composing

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