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Musical Communication$
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Dorothy Miell, Raymond MacDonald, and David J. Hargreaves

Print publication date: 2005

Print ISBN-13: 9780198529361

Published to Oxford Scholarship Online: March 2012

DOI: 10.1093/acprof:oso/9780198529361.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use.date: 02 July 2022

How do people communicate using music?

How do people communicate using music?

Chapter:
(p.1) Chapter 1 How do people communicate using music?
Source:
Musical Communication
Author(s):

David J. Hargreaves

Raymond MacDonald

Dorothy Miell

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198529361.003.0001

This chapter first sets out the purpose of the book, which is to explain the musical, social, and cultural processes that underlie the eventual realization of the acoustic performance event (by the composer, performer, arranger, and all others involved), the means by which they lead to the listener's response, and thence to short and long-term effects upon arousal level, cognition, emotion, and subsequent behaviour. It then discusses a reciprocal feedback model of musical communication. An overview of the subsequent chapters is presented.

Keywords:   music, acoustic performance, musical communication, arousal level, cognition, emotion

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