Jump to ContentJump to Main Navigation
Late Style and its DiscontentsEssays in art, literature, and music$
Users without a subscription are not able to see the full content.

Gordon McMullan and Sam Smiles

Print publication date: 2016

Print ISBN-13: 9780198704621

Published to Oxford Scholarship Online: October 2016

DOI: 10.1093/acprof:oso/9780198704621.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 05 December 2020

Perceptions of Lateness

Perceptions of Lateness

Goethe, Nietzsche, Thomas Mann, and D. H. Lawrence

Chapter:
(p.131) 8 Perceptions of Lateness
Source:
Late Style and its Discontents
Author(s):

Michael Bell

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198704621.003.0009

This chapter compares contrasting conceptions of lateness and style which have been attributed to Goethe, Thomas Mann, Nietzsche, and D. H. Lawrence. Among writers, Goethe is perhaps the classic instance of a late style, and Mann consciously emulated him in his own monumental oeuvre, particularly as it extended into his ‘mythic’ phase. But modern or modernist conceptions of time, history, decadence, and mythopoeia affect the values invested in lateness. Nietzsche had already denounced the nineteenth-century monumentalizing of Goethe as a national cultural icon, while his own untimeliness throws a question across the value of lateness as such. In fact, Goethe had already anticipated the Nietzschean critique of Bildung with which he nonetheless remains popularly identified. Meanwhile, the chronically sick Lawrence, who absorbed Nietzsche and reacted sharply against both Goethe and Mann, never expected to experience lateness yet had it in some sense thrust upon him as he approached his death.

Keywords:   Bildung, late style, death, untimeliness, mythopoeia, decadence

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .