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The Absence of AmericaThe London Stage, 1576-1642$
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Gavin Hollis

Print publication date: 2015

Print ISBN-13: 9780198734321

Published to Oxford Scholarship Online: August 2015

DOI: 10.1093/acprof:oso/9780198734321.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 22 April 2021



“Scene: Virginia”: America and Heroic Drama on the Restoration Stage

(p.214) (p.215) Afterword
The Absence of America

Gavin Hollis

Oxford University Press

The Afterword explores commercial drama from the interregnum and early Restoration periods, when colonies and colonizers began to be staged in the London playhouses. These staging practices were innovative and also show the persistence of certain New World memes that we first see in drama pre-1642: talk of cannibalism, of Indian display and the futility of the religious mission, and of the prodigal Virginia adventurer. Here also we find a genre shift to “heroic drama.” Yet when drama represented the English in the New World, it either prophesized their arrival in some imagined future or fell back on London comedy typologies: Aphra Behn’s The Widow Ranter combines both the Dryden model of drama and the London comedy model. While earlier drama used Virginia as a way of explaining or enhancing certain London types, in Behn’s play London types are employed to make legible a new type of character: the Virginian.

Keywords:   Restoration drama, interregnum drama, William Davenant, John Dryden, Aphra Behn, The Widow Ranter, heroic drama, Virginia

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