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With Voice and PenComing to Know Medieval Song and How it Was Made$
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With Voice and Pen: Coming to Know Medieval Song and How it Was Made

Leo Treitler

Print publication date: 2007

Print ISBN-13: 9780199214761

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780199214761.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 17 May 2021

Speaking of Jesus

Speaking of Jesus

Chapter:
(p.429) CHAPTER 15 Speaking of Jesus
Source:
With Voice and Pen
Author(s):

Leo Treitler

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199214761.003.0015

In view of its variability, the written transmission of the early trope tradition has been characterized as ‘local production for local use’. This chapter presents an attempt to interpret differences in a particular case as motivated, intended, reflective of different ideas of the composers or notators about the emphases of the poetic text, and about the exploitation of the expressive and formal resources of the melodic tradition to bring out those ideas. In other words, it attempts to see whether we can identify individuality in medieval song. Such an interpretation posits musicians who read their poetic texts and took upon themselves the task of manifesting their readings the way they intoned them. This supposition runs counter to the opposite idea that has been abroad in the field of medieval music studies.

Keywords:   medieval music, medieval song, individuality, written transmission, early tropes tradition

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