The Tale of Bluebeard in German Literature: From the Eighteenth Century to the Present
Mererid Puw Davies
Abstract
‘Bluebeard’, in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force. Using the idiom of literary criticism, this study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from 17th-century France to 1990s Germany, in a broad range of canonical and non-canonical, often forgotten texts. The study discusses Charles Perrault's French version of Bluebeard of 1697, through Ludwig Tieck's versions of 1797 and classic versi ... More
‘Bluebeard’, in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force. Using the idiom of literary criticism, this study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from 17th-century France to 1990s Germany, in a broad range of canonical and non-canonical, often forgotten texts. The study discusses Charles Perrault's French version of Bluebeard of 1697, through Ludwig Tieck's versions of 1797 and classic versions by the Grimms and Ludwig Bechstein, to 19th-century romantic fiction, the savagery of High Modernism, and 20th-century versions such as that of the Surrealist Unica Zürn. While the focus is on literature in German, this is the first full-length study published in any language of the history of Bluebeard.
Keywords:
Bluebeard,
utopian force,
gender politics,
Charles Perrault,
Ludwig Tieck,
Brothers Grimm,
Ludwig Bechstein,
romantic fiction,
High Modernism
Bibliographic Information
Print publication date: 2001 |
Print ISBN-13: 9780199242757 |
Published to Oxford Scholarship Online: October 2011 |
DOI:10.1093/acprof:oso/9780199242757.001.0001 |