Making a New Man: Ciceronian Self-Fashioning in the Rhetorical Works
John Dugan
Abstract
This study investigates how Cicero (106-43 BCE) uses his major treatises on rhetorical theory (De oratore, Brutus, and Orator) in order to construct himself as a new entity within Roman cultural life: a leader who based his authority upon intellectual, oratorical, and literary accomplishments instead of the traditional avenues for prestige such as a distinguished familial pedigree or political or military feats. Eschewing conventional Roman notions of manliness, Cicero constructed a distinctly aesthetized identity that flirts with the questionable domains of the theatre and the feminine, and t ... More
This study investigates how Cicero (106-43 BCE) uses his major treatises on rhetorical theory (De oratore, Brutus, and Orator) in order to construct himself as a new entity within Roman cultural life: a leader who based his authority upon intellectual, oratorical, and literary accomplishments instead of the traditional avenues for prestige such as a distinguished familial pedigree or political or military feats. Eschewing conventional Roman notions of manliness, Cicero constructed a distinctly aesthetized identity that flirts with the questionable domains of the theatre and the feminine, and thus fashioned himself as a ‘new man’.
Keywords:
Cicero,
rhetorical theory,
De oratore,
Brutus,
Orator,
Roman cultural life,
aesthetized identity,
theatre,
femininity,
new man
Bibliographic Information
Print publication date: 2005 |
Print ISBN-13: 9780199267804 |
Published to Oxford Scholarship Online: January 2010 |
DOI:10.1093/acprof:oso/9780199267804.001.0001 |
Authors
Affiliations are at time of print publication.
John Dugan, author
Assistant Professor, Classics Department, State University of New York at Buffalo
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