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Music and the Broadcast ExperiencePerformance, Production, and Audiences$
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Christina Baade and James A. Deaville

Print publication date: 2016

Print ISBN-13: 9780199314706

Published to Oxford Scholarship Online: September 2016

DOI: 10.1093/acprof:oso/9780199314706.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Music and the Broadcast Experience
Author(s):

Christina L. Baade

James Deaville

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199314706.003.0001

The introduction contextualizes the volume chapters by providing a historical and theoretical framework for understanding how music and broadcasting intersect. An introductory section sets out the parameters of the collection and the topic’s significance. The first major section offers a genealogy of key terms that are used throughout the book: broadcasting (and postbroadcasting, including the impact of the Internet), mass media, and mediation, as well as the categories of popular music and classical music. It also considers the intersections of these concepts in the broadcasting of musical performances, events, and recordings. The section entitled Contexts offers accounts of how research on music in radio and television has developed up through the present. The introduction closes with Points of Contact, which briefly discusses five common threads running through music broadcasting that bring the chapters into contact with each other: production cultures, format/genre, music as commodity and as cultural practice, audiences/public/consumers, and liveness.

Keywords:   broadcasting, classical music, Internet, liveness, media, music, performance, popular music, radio, television

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