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Music and the Broadcast ExperiencePerformance, Production, and Audiences$
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Christina Baade and James A. Deaville

Print publication date: 2016

Print ISBN-13: 9780199314706

Published to Oxford Scholarship Online: September 2016

DOI: 10.1093/acprof:oso/9780199314706.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 30 November 2020

(p.273) Section VI Worlds Apart: Space, Community, and Participation in the Web 2.0 Era

(p.273) Section VI Worlds Apart: Space, Community, and Participation in the Web 2.0 Era

Source:
Music and the Broadcast Experience
Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199314706.011.0006

Keywords:   digital festival design, electronic dance music, festival industry, online video, televisuality, Tomorrowland, YouTube

Keywords:   Contemporary Worship Music, evangelical Christianity, online religion, online ritual, music and social media, YouTube

Keywords:   de Certeauian, mass incarceration, MP3, MP3 players, radio, residual media, television

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