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Defining DeutschtumPolitical Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna$
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David Brodbeck

Print publication date: 2014

Print ISBN-13: 9780199362707

Published to Oxford Scholarship Online: October 2014

DOI: 10.1093/acprof:oso/9780199362707.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 17 September 2021

Liberal Accreditation and Antisemitic Attack

Liberal Accreditation and Antisemitic Attack

Goldmark’s Reception Revisited

(p.199) Chapter Six Liberal Accreditation and Antisemitic Attack
Defining Deutschtum

David Brodbeck

Oxford University Press

This chapter picks up Goldmark’s reception in the 1880s and early 1890s as it unfolded along two separate paths. The beginning of the chapter describes the composer’s seeming breakthrough, at last, with Hanslick and Speidel as a fully acculturated German composer, with the opera Merlin and several new orchestral overtures. Toward the end it considers the rather different reception of the composer by younger Wagnerian critics who wrote for the Deutsches Volksblatt and Ostdeutsche Rundschau, newly established newspapers with an antisemitic and/or radical German nationalist editorial stance influenced by the controversial Reichsrat deputy Georg von Schönerer.

Keywords:   Merlin, Orchestral overtures, Deutsches Volksblatt, Ostdeutsche Rundschau, Georg von Schönerer

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