Women Dancing Otherwise
Women Dancing Otherwise
The Queer Feminism of Gu Jiani’s Right & Left
In twenty-first-century urban Chinese contemporary dance, gender and female sexuality are often constructed in ways that reinforce patriarchal and heterosexual social norms. Although “queer dance” as a named category does not exist in China, it is possible to identify queer feminist perspectives in recent dance works. This essay offers a reading of representations of gender and female sexuality in two works of contemporary dance by Beijing-based female Chinese choreographers: Wang Mei’s 2002 Thunder and Rain and Gu Jiani’s 2014 Right & Left. Through choreographic analysis informed by ethnographic research in Beijing’s contemporary dance world, this essay argues that Thunder and Rain reinforces patriarchal and heterosexual social norms common in Chinese contemporary dance, while Right & Left disrupts such norms. Through its staging of unconventional female-female duets and its queering of nationally marked movement forms, Right & Left offers a queer feminist approach to the presentation of women on the Chinese stage.
Keywords: contemporary dance, China, gender, sexuality, feminist, women, queer dance, choreography, Right & Left, Thunder and Rain
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