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Shakespeare's Letters$
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Alan Stewart

Print publication date: 2008

Print ISBN-13: 9780199549276

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780199549276.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 03 December 2021

Postscript

Postscript

Chapter:
(p.295) Postscript
Source:
Shakespeare's Letters
Author(s):

Stewart Alan

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199549276.003.0009

The letters that this book has examined operate in a bewildering variety of ways, but a theme emerges. As Mary Poovey and Barbara Shapiro have argued, the culture in which and for which William Shakespeare wrote his plays had an increasing interest in and reliance on bureaucratic record-keeping, documentary evidence, and verifiable proofs. Letters were part of this trend, not merely a means to maintain communication across distances, but increasingly taken as documentary evidence of transactions, of responsibility, and ultimately of guilt. This impulse is registered repeatedly throughout Shakespeare's plays. Indeed, an account focused on the sheer incidence of these letters in the plays might well conclude that Shakespeare was admitting the priority of written documents. However this verdict ignores the fact that these are plays performed in a theatre in front of an audience: the audience does not read the letters, but instead sees the transactions they produce.

Keywords:   letters, Mary Poovey, Barbara Shapiro, William Shakespeare, plays, documentary, evidence, proof, audience

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