Show Summary Details
- Title Pages
- Acknowledgements
- List of Illustrations
- Introduction
- 1 A Poetics of Potentiality
- 2 Nietzsche, Modernism, and Dance
- 3 From Dance to Movement
- 4 Diaghilev and British Writing
- 5 Two Modern Classics
- 6 The ‘unheard rhythms’ of Virginia Woolf
- 7 ‘Savage and Superb’
- 8 Massine, Modernisms, and the Integrated Arts
- 9 Ezra Pound on Kinaesthetics, the Russian Ballet, and Machines
- 10 ‘At the still point’
- 11 Ballet Rambert and Dramatic Dance
- 12 Samuel Beckett and Choreography
- Afterword
- Bibliography
- Index
Introduction
Introduction
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- Title Pages
- Acknowledgements
- List of Illustrations
- Introduction
- 1 A Poetics of Potentiality
- 2 Nietzsche, Modernism, and Dance
- 3 From Dance to Movement
- 4 Diaghilev and British Writing
- 5 Two Modern Classics
- 6 The ‘unheard rhythms’ of Virginia Woolf
- 7 ‘Savage and Superb’
- 8 Massine, Modernisms, and the Integrated Arts
- 9 Ezra Pound on Kinaesthetics, the Russian Ballet, and Machines
- 10 ‘At the still point’
- 11 Ballet Rambert and Dramatic Dance
- 12 Samuel Beckett and Choreography
- Afterword
- Bibliography
- Index
