The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, with the growth of the mass media and global market, further generating and manipulating crisis. This book contextualizes and studies the work of four influential writers of prose fiction—Angot, Echenoz, Houellebecq, and Redonnet—teasing their responses to this convergence. It suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, the identifies and crit ... More

The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, with the growth of the mass media and global market, further generating and manipulating crisis. This book contextualizes and studies the work of four influential writers of prose fiction—Angot, Echenoz, Houellebecq, and Redonnet—teasing their responses to this convergence. It suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, the identifies and critiques the ways in which, on the eve of the 21st century, different theoretical and fictional approaches confront the manipulation of crisis discourses. Drawing on a ‘long twentieth century’ of crisis thinking, the book counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establishes instead a new critical framework with which to respond to the fin de millénaire aesthetics of crisis. The book demonstrates how prose fictions afford critical purchase on the global market, and on French co‐implication in it. It identifies how the four contrasting writers reflect, perpetuate, and challenge the misogyny and symbolic violence of late capitalism. This book emerges as both problematic and problematizing, bespeaking the need to intervene in debates about the mass media, neoliberalism, global market economics, and sexual and postcolonial identities, while also demonstrating the enduring agency—critical and creative—of literature itself.