This volume consists of fourteen chapters that focus on a trio of interrelated themes. First: what are the powers and limits of appeals to intuition in supporting or refuting various sorts of claims? Second: what are the cognitive consequences of engaging with content that is represented as imaginary or otherwise unreal? Third: what are the implications of these issues for the methodology of philosophy more generally? These themes are explored in a variety of cases, including thought experiments in science and philosophy, early childhood pretense, self‐deception, cognitive and emotional engage ... More

This volume consists of fourteen chapters that focus on a trio of interrelated themes. First: what are the powers and limits of appeals to intuition in supporting or refuting various sorts of claims? Second: what are the cognitive consequences of engaging with content that is represented as imaginary or otherwise unreal? Third: what are the implications of these issues for the methodology of philosophy more generally? These themes are explored in a variety of cases, including thought experiments in science and philosophy, early childhood pretense, self‐deception, cognitive and emotional engagement with fiction, mental and motor imagery, automatic and habitual behavior, and social categorization. The chapters are organized into two large sections. Those in Part I—six in all—explore the role of intuition and thought experiment in science and philosophy; those in Part II—the remaining eight—look more generally at the role of imagination in a range of domains. Within each section, the chapters are grouped into pairs. In Part I, the first two look at the role of thought experiments in science; the next two at the role of thought experiments in exploring philosophical questions about personal identity; and the final two at a number of issues concerning intuitions and philosophical methodology more generally. In Part II, the first two chapters explore the relation between pretense and belief; the next two look at the phenomenon of imaginative resistance; the next two consider issues of imagination and emotion; and the final two introduce and discuss an attitude that the book calls alief.